works
THE UNKNOWN BECOMES MUSIC
When I’m inside music, I feel somehow wise — like in nature, or in love: I follow my instinct. Hands know where to go, and I’m driven basically by sound. Making music is how I explore myself, and how I connect with others — instantly, deeply.
i use music to
explore
I don’t think people would be interested in your CV, but rather how you made them feel with what you created. Right now that’s probably the only thing I’m really interested in: feeling and making people feel. The rest is outline. I’ll just say a few words to describe what I do.
I move fluidly between cinema, theatre, concert music and visual media — composing, orchestrating, and conducting with a style that blends classical structure and experimental vision.
After studies in Classical Philology and Philosophy, I specialized in Film Scoring, refining my voice alongside internationally renowned musicians.
In 2025, I composed the original score for Gioia mia (Sweetheart, 90’), directed by Margherita Spampinato, which premiered at Locarno Film Festival. That same year, I was invited to the Cinema Ritrovato Festival to perform live accompaniment on piano and drums for four films.
In 2023, I composed original soundtracks for the silent films Nosferatu and Vampyr, performed live in cine-concert format. I also contributed to the Sky Original series Christian, which won Best Music at Canneseries in 2022.
My piece Ripresa premiered in 2022 at the Civita Festival, alongside works by Elgar, Britten, and Webern.
In 2021, I was selected for the Pordenone Masterclasses, performing a film concert with Daan van den Hurk.
Additionally, I co-created Rosadeiventi — a sound storytelling project inspired by Mediterranean winds — which has been awarded in several national competitions.
last
What if music could open a portal?
If there is something really important, it is here.
I hope music speaks more than these words.
If you like, give it a listen.